Showing posts with label minnesota. Show all posts
Showing posts with label minnesota. Show all posts

Thursday, November 7, 2013

12 Tips for Shooting Better Video with Your Camcorder

Creating compelling home videos takes practice, and we've put some tips together to get you started. They'll help you record more watchable movies that you and your family can enjoy for years to come.
Our shooting tips fall into two categories — honing your technique for engaging movies and general suggestions for improving your shots.

Tips for engaging movies


1) Go light on the zoom. Overuse of zoom is a common problem, and can result in video that looks amateurish, or even worse, can make people dizzy. If you need to zoom in and out, take it slow and steady, and don't zoom out again too soon. And you may want to avoid the use of digital zoom — it's pretty much only good for giving you a closeup of some dancing pixels. While optical zoom won't get you as close to your subject, you'll appreciate the higher video quality when you review your recordings.
2) Frame your shots well. Fill the frame with your subject, and don't be afraid to place him or her slightly off-center. For example, when filming kids at the pool, it tends to be more visually interesting to capture the children talking, laughing, or diving a bit to the left or right of center.
Frame your shot
Framing your subject off to one side lets you capture more of the environment and atmosphere in your shot.
Frame your shot
3) Use wide shots sparingly. You may want to rely on a wide sweeping shot of the setting to establish location, but after that, get a little more specific. Focusing on small details, like red lanterns hung on a Chinatown street or a single sun-bleached boat on a tropical beach, can do more to convey atmosphere than wide, general shots of a busy street or a long stretch of beach.
4) Shoot from several different vantage points. Recording an entire Little League game from the bleachers could be a bit dull to watch later. Footage captured from beside first base, the top of the bleachers, and the dugout can result in a much more interesting mix of shots, and can heighten the drama of important moments. Also, use the most effective shooting angle: kneel down to get on the same level as your subject, when appropriate, or climb up high to survey a scene.
vantage pointsBeing on the same level as your subject, especially children, creates a much different effect than towering above them while recording.
5) Avoid backlighting. Just because we can see people's faces when they're backlit doesn't mean the camera can. Too often, backlit shots result in uncomfortably bright light haloing a dark figure with no visible features so you miss out on the great facial expressions of loved ones. You can improve a backlit situation by moving to one side or another. Some camcorders even have a feature that lets you reduce the effects of backlighting.
Avoid backlighting
Backlighting makes a big difference in the appearance and tone of your recording.
Avoid backlighting
6) Unless you plan on editing, record only the important moments. If you're going to edit your footage, go ahead and record every single second of your cousin's wedding. If not, then remember that footage of the DJ testing the mike or of waiters going in and out of the kitchen may have historical merit, but offer little viewing enjoyment.
7) If you have a widescreen TV, record in widescreen. Many of today's digital camcorders offer a 16:9 widescreen recording mode. This lets you record footage that matches a widescreen TV, without stretching or distorting the picture. You may want to take advantage of this option if you have an HDTV at home. (However, if you're recording footage to send to fond grandparents who still have their trusty RCA from the 70's, you may want to switch back to the standard screen shape.)
standard
Shooting video that matches your widescreen TV allows you to capture more of the action.
widescreen
8) Don't overuse special effects. It's cool that you can "solarize" your footage or make it sepia-toned, or try any number of other fun recording settings. But steer clear of the fun features when you're filming important scenes. After all, if you decide later that part of the video really should have been shot in black-and-white, there's easy-to-use movie editing software (sometimes free with a computer) that'll let you make that change. Record the wedding in full color and then test out effects later on. This way, you'll be able to preserve your original footage while you experiment with artistic effects and edits.

General suggestions for shooting


And now let's take a look at a few general tips which can improve picture quality and make using your camcorder more convenient.


9) Try out a tripod. Shaky handheld shots are one of the biggest culprits when it comes to bad home movies. Although many camcorders come with various image stabilization technologies, these in-camera features can only do so much to correct handshake. Shooting from a flat surface or, better still, a tripod, is a good way to remedy this problem. And you may be surprised by how affordable and portable small video tripods can be.
10) Keep plenty of memory cards, tapes, or discs on hand. Running out of recording space in the middle of filming is no fun, so you'll want to make sure you have more media available. Be sure to pick up extra discs, tapes or memory cards, even if your camcorder also comes with built-in memory. And if you're traveling, don't count on buying extra media at your destination — many tourist spots sell a limited variety of memory cards, tapes, and discs with heavy mark-up.
If you do start to run out of space, and don't have spare media on hand, you can switch to LP (long-play) mode. This isn't something you'll want to do often, since it saves you space on your media at the expense of image quality. But if your child's football game goes into overtime, for example, you may want to switch to LP mode so you can record more of the final moments.


11) Keep a spare battery around. Backup battery power is just as important as keeping extra tapes or discs on hand. Some spare batteries offer longer recording times than the battery that came in the manufacturer's box, so be sure to check out your options before you buy.
12) Back up your video. Tapes and discs can store your footage for years, but if something happens to them, you're out of luck — there go Junior's first steps or that fabulous vacation in the Rockies. So please remember to back up your video — either to additional discs or to an external hard drive. We recommend against using your computer's hard drive to store everything long-term, because uncompressed digital video takes up a lot of space — approximately 1 gigabyte for every 5 minutes of footage — and because computer hard drives are susceptible to eventual failure. Check out our article on watching, sharing, and editing your home movies for more tips on ways to save your video.
By: Tara W. Crutchfield Labs

Monday, November 4, 2013

10 Essential Photography Tips from Cnet UK

Whether photography is a hobby or a profession, you'll get a whole lot more out of it if you understand how it works. With a firm grasp of aperture, shutter speed, sensitivity and focal length, the ratio of truly great to merely mediocre shots you download at the end of an expedition is all but guaranteed to climb.
Here we present CNET UK's 10 essential shooters' tips. Don't uncap your lens without them.

Aperture

1. Understand aperture
The most fundamental element any photographer should understand is aperture. The aperture is the physical opening within your lens that allows light through to the sensor (or film in an older camera). The wider the aperture opening, the more light can pass through, and vice versa.
The size of the opening, which is regulated by a series of fins encroaching from the edge of the lens barrel, is measured in so-called f-stops, written f/2.8, f/5.9 and so on, with smaller numbers denoting wider apertures. If you find this inverse relationship tricky to remember, imagine instead that it relates not to the size of the hole but the amount of each fin encroaching into the opening.
A narrow opening is regulated by a large amount of each fin encroaching into the barrel, and so has a high f-stop number, such as f/16, f/18 and so on. A wide opening is characterized by a small number, such as f/3.2, with only a small amount of each fin obscuring the light.

Picture the size of the fins, visible here inside this lens, when trying to understand the concept of f-stops.
2. Aperture measurements
Lenses almost always have their maximum aperture setting engraved or stamped on one end of the barrel. On a zoom lens you'll see two measurements, often stated as f/3.5-f/5.9 or similar.
Rather than being opposite ends of a single scale these describe the maximum aperture at the wide angle and telephoto (maximum zoom) lens positions respectively. Always buy a lens with the smallest number you can afford in each position.
3. Avoid using aperture to compensate for poor lighting
Changing the aperture has a dramatic effect on the amount of light coming into the camera, as we have already said. You'll notice this is the case when shooting landscapes with a narrower aperture (higher numbered f-stop) as your camera will often want to take a longer exposure -- so much so that you may have to use a tripod to avoid motion blur.
You should avoid using the aperture scale to compensate for unfavorable lighting, however, as it also changes the amount of the image that remains in focus, as we'll explain below.

The image on the left was taken with a wide aperture and so has a shallow depth of field; the image on the right was taken with a narrow aperture and so has a long depth of field.
4. Use a wide aperture for portraits
Anyone with a cat knows that when they're hunting or playing their irises contract to enlarge the size of their pupils. This has the same effect as widening the aperture in a camera lens: it makes the subject they are focusing on very sharp while causing everything behind and in front of it to blur. We call this a shallow depth of field. This is perfect for portrait photography, as it draws forward your model within the scene, making them the central focus while the background falls away. Choose f/1.8 or similar wherever possible.

This image of a chicken was taken with a wide aperture to keep the subject in focus while blurring the background.
5. Use a narrow aperture for landscapes
For landscapes, on the other hand, you want to have everything from close-at-hand foliage to a distant mountain in focus. This is achieved by selecting a narrow aperture. If possible stray towards f/22, or whatever the tightest setting your camera allows.

This image of a Moroccan campfire is taken with a narrow aperture to maximize the depth of field.
6. 'f/8 and be there'
Static models and immobile landscapes are easy to shoot as you can predict with a great deal of certainty which aperture setting you need to get the best out of either. Reportage and street photography, weddings, Christenings and so on are less predictable as your subjects will be moving in relation to the frame. In these circumstances, adopt the pro photographer's adage, "f/8 and be there".
Set your aperture to f/8 for a practical, manageable balance of fairly fast shutter speeds and broad depths of field, allowing you to spend more time thinking about composition within the frame than you do about optical algebra. When shooting indoors without a flash, and depending on the lighting conditions, you may need to increase your camera's sensitivity setting at this aperture, but be careful not to push it so high that you introduce grain into your images, unless you are chasing that specific effect.

Filters and lenses

7. What does the ø symbol on my lens mean?
After the focal and aperture ranges, the other measurement you'll see on most dSLR lenses is preceded by ø and describes the diameter of the screw mount on the front of lens barrel. Check this number each time you head out to buy a filter or hood as you can't guarantee that it will be the same for each lens in your collection, even if they are all designed to be used on the same camera.

Check the diameter of your lens when heading out to buy a new filter.
8. If you only buy one filter...
...make it a circular polariser. This is the perfect beginner's filter, and one that will have the biggest effect on your day to day photography, giving holiday skies a vibrant blue tone and accentuating the contrast between the sky and passing clouds to afford your images greater texture. Although you can add blue to your images in Photoshop or a similar post-production editing tool, the effect is never as believable when done that way as it is when shot using a lens.

Invest in an inexpensive circular polariser to improve the blue of skies in your images.
9. Don't confine it to skies
Polarising filters also cut through glare and reflection. Use it to shoot through windows and water.

We used a polarising filter when shooting this frame to cut through reflections on the surface of the water.

10. Look for lenses where the zoom control doesn't change the filter orientation
Rotating a circular polarising filter changes the strength of the polarising effect, making skies deeper or lighter, and changing the amount of reflection they cancel out. If you plan on using such a filter then wherever possible buy lenses where turning the zoom control doesn't simultaneously rotate the end of the lens, and with it the filter, as this will change the effect. If you have no choice, set your zoom first and adjust the effect afterwards, being careful not to throw the lens out of focus in the process.

Thursday, October 17, 2013

Creative Clients

Thursday, October 3, 2013

25 Totally Odd & Awesome Vintage Halloween Photos