Monday, October 28, 2013
Photographs from Port of Spain, Trinidad and Tobago
From the back seat of a taxi driving to Port of Spain, Trinidad.
Fisherman's boat waiting for the sun to go down and the tide to come in so that fishing can begin.
Discarded coconuts. The sweet taste of coconut water is hard to refuse.
A home near the Emperor Valley Zoo in Port of Spain, Trinidad.
Howler Monkey at the Emperor Valley Zoo.
All photographs were taken during a recent expedition to Trinidad by photographer Ben Wehlage.
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Friday, October 25, 2013
Tuesday, October 22, 2013
Quinceañera Celebration
Photography taken during a Quinceañera celebration.
Quinceañera (pronounced: [kin.se.aˈɲe.ɾa]; feminine form of "fifteen-year-old"), also called fiesta de quince años, fiesta de quinceañera, quince años or simply quince, is the celebration of a girl's fifteenth birthday in parts of Latin America and elsewhere in communities of people from Latin America.
All photographs by Ben Wehlage.
www.wehlage.com
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Rochester, MN, USA
Scottish Bagpiper at Rainwater Wedding
Scottish Bagpiper from the Rochester Caledonian Pipe Band.
Bagpiper preformed during the Rainwater wedding ceremony which took place in Lake City MN.
The official tartan of Rochester Caledonian Pipe Band is "MacDonald of the Isles Modern Hunting".
Photograph taken by Ben Wehlage.
Reasons Why You Need a 50mm Lens
A video explaining why you ought to have a 50mm lens in your arsenal.
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Sunday, October 20, 2013
Sport and Other Photos of the Day
Post by Wehlage Pictures.
A series of photographs taken for Yahoo Photos of the Day for Oct. 20th 2013.
A series of photographs taken for Yahoo Photos of the Day for Oct. 20th 2013.
Location:
Rochester, MN, USA
Friday, October 18, 2013
Take Your Image to the Next Level
Great portrait photograph of Nick Pompain. The idea behind the photograph was to loosen Nick up a bit so he would relax while being photographed. The best way to break someone out of their comfort zone is to suggest they do something a bit crazy. So I suggest he pretend he's a wolf and the rest is history. Regards BW
Photograph by Ben Wehlage.
Visit website at www.wehlage.com for more information on how to book a photo session.
Quick Tip: Halloween Photography From Our Friends at Canon USA
Quick Tip: Halloween Photography
October 01, 2013
The ideal jack-o’-lantern photograph... means a careful balance of trying not to overexpose the candles, or underexpose the outside of the pumpkin…
This article was originally published on April 15, 2011 and has been updated to include current product information.
Halloween is right around the corner, and what a great holiday for photographic inspiration: From cute kids in costumes to spooky haunted houses; eerie glowing jack-o’-lanterns to pastoral pumpkin patches – Halloween offers an endless variety of unique subjects.
Here are a few photographic tips to make the most of this Halloween:
Low-Light Photography
Much of what defines the spooky quality of Halloween tends to be in the dark, whether indoors or outdoors. Typically, this is where flash photography can come in handy. However, the bright light of a flash may not work here. In fact, this might be one holiday when it’s better NOT to use a flash in a dark scene.
There are several techniques you can use to take great shots in low light – without relying on a flash:
High ISO Settings
The higher your camera’s ISO, the greater its sensitivity to light. Maximum ISOs on current EOS cameras can be anywhere from ISO 6400 or above. In low light, try settings like ISO 1600, 3200, and higher.
Working with higher ISO levels does result in increased noise. Fortunately, modern digital SLRs offer very effective High ISO Noise Reduction technology. This can even be adjusted on most recent Canon EOS cameras, allowing different levels of noise control, including (on some cameras) a powerful Multi-Shot Noise Reduction option.
Wide Apertures
Wide apertures are identified by their lower f-stop values, for example: f/1.2, f/1.4, f/1.8, f/2.0, f/2.8. At these f-stops, more light is entering the lens through its larger aperture opening. Try to shoot at the lowest f-stop your lens will allow and the image will be brighter, without resorting to flash use. Lenses like Canon’s extremely affordable EF 50mm f/1.8 lensare an excellent way to get started in available-light photography.
Be aware that wider apertures/lower f-stops also results in shallow depth of field within your images. That means your subject will be sharp, against a blurry background and foreground. Therefore, critical focus is more important at lower f-stops. Unfortunately, that can be even more challenging in dim lighting – so double check your image focus by zooming in on the camera’s LCD after each shot, or whenever possible.
Be aware that wider apertures/lower f-stops also results in shallow depth of field within your images. That means your subject will be sharp, against a blurry background and foreground. Therefore, critical focus is more important at lower f-stops. Unfortunately, that can be even more challenging in dim lighting – so double check your image focus by zooming in on the camera’s LCD after each shot, or whenever possible.
Slow Shutter Speeds
Shutter speed is measured in fractions of seconds, but can also be set to last several seconds, minutes, or even hours. Slower, or longer, shutter speeds let more light into the camera – resulting in a brighter image, with no flash.
However, slow shutter speeds also result in potentially increased image blur – both from subject and photographer movement. While you can't necessarily control subject movement, there are ways to minimize blur from your own movement handling the camera. When shooting handheld, your slowest 'safe' (blur-free) shutter speed should match your lens focal length, literally: A 16mm wide-angle lens only needs about 1/15th sec.; a 50mm lens needs about 1/60th sec.; a 200mm telephoto needs a much faster speed of 1/200th sec.; and an 800mm super telephoto lens requires at least 1/800th sec. shutter speed. If you follow that general pattern, your images should not have blur from photographer movement.
You also have Canon's Optical Image Stabilization on your side -- assuming you have an Image Stabilized (IS) lens. These lenses are very forgiving; each IS lens gives you up to four full stops of stabilization. With IS turned on, you can shoot with that 200mm telephoto at 1/60th or even 1/30th sec. shutter speed with little or no blur caused by photographer movement.
Another way to minimize blur with long exposures is to shoot with a tripod. This will eliminate blur caused by photographer movement with any lens, at any shutter speed (however, moving subjects may still be blurry). If you don’t have a tripod, fake it: Set your camera on a stable surface, or prop it on something while shooting such as a fence post, mailbox, table, or whatever is handy, flat, stable, and the right height for what you need.
However, slow shutter speeds also result in potentially increased image blur – both from subject and photographer movement. While you can't necessarily control subject movement, there are ways to minimize blur from your own movement handling the camera. When shooting handheld, your slowest 'safe' (blur-free) shutter speed should match your lens focal length, literally: A 16mm wide-angle lens only needs about 1/15th sec.; a 50mm lens needs about 1/60th sec.; a 200mm telephoto needs a much faster speed of 1/200th sec.; and an 800mm super telephoto lens requires at least 1/800th sec. shutter speed. If you follow that general pattern, your images should not have blur from photographer movement.
You also have Canon's Optical Image Stabilization on your side -- assuming you have an Image Stabilized (IS) lens. These lenses are very forgiving; each IS lens gives you up to four full stops of stabilization. With IS turned on, you can shoot with that 200mm telephoto at 1/60th or even 1/30th sec. shutter speed with little or no blur caused by photographer movement.
Another way to minimize blur with long exposures is to shoot with a tripod. This will eliminate blur caused by photographer movement with any lens, at any shutter speed (however, moving subjects may still be blurry). If you don’t have a tripod, fake it: Set your camera on a stable surface, or prop it on something while shooting such as a fence post, mailbox, table, or whatever is handy, flat, stable, and the right height for what you need.
Setting the Mood
Embrace the mood of your Halloween scene, whether it’s dark and spooky, or cute and playful:
Pumpkin patches are a perfect place for a family portrait. It’s a great way to use background details to create a sense of time and place that will give your photos context.
Look for the details – in costumes, decorations, bags of candy, etc – that help capture the spirit of the Halloween season.
Try B&W, sepia, or other types of tinted photography for a unique look. This may be adjusted in-camera through the EOS Picture Style settings, or you can create the effect while editing your images in Digital Photo Professional (or your preferred image editing software).
Experiment with lighting. For example: Use red ‘party’ bulbs for unique room lighting; or try lighting your costumed friends and family with flashlights (the under-the-chin flashlight angle works especially well for a scary portrait effect!)
Time Lapse movie mode is another cool one to consider. It shoots video at much lower frames-per-second rates and resulting videos show the passage of time much faster. Some compact Canon PowerShot digital cameras offer this built-in. If you have this feature, set the camera on a tripod and try to capture some fun time lapse videos: A child changing into their full costume; carving pumpkins; an evening’s worth of trick-or-treaters grabbing candy from a bowl; or whatever other activities you can think of.
Photographing Jack-o'-Lanterns
Jack-o’-lanterns are a challenging, but very rewarding subject to photograph on Halloween. There are just a few tricks to getting that perfectly eerie glowing pumpkin shot:
Turn Your Flash Off
Direct flash will completely overwhelm your jack-o’-lantern. Turn it off, and use the low light shooting described techniques above. If you have a tripod handy, the long exposure/slow shutter speed will work very well – mainly, because there is no chance of subject movement causing image blur (unless your pumpkin rolls off the table!).
If you absolutely need additional light from a flash, dial the Flash Exposure down a stop or two. This is possible on most Canon Speedlites; you can also adjust Flash Exposure for EOS and PowerShot built-in flashes, using the Flash +/- settings in camera. After reducing the flash output, if you’re using an accessory Speedlite with bounce capability, try bouncing your flash by redirecting the flash head to a wall or ceiling. Or, if you can’t swivel the flash head (such as with a built-in flash), then consider diffusing it with a small sheet of wax paper or a scrap of thin white fabric.
If you absolutely need additional light from a flash, dial the Flash Exposure down a stop or two. This is possible on most Canon Speedlites; you can also adjust Flash Exposure for EOS and PowerShot built-in flashes, using the Flash +/- settings in camera. After reducing the flash output, if you’re using an accessory Speedlite with bounce capability, try bouncing your flash by redirecting the flash head to a wall or ceiling. Or, if you can’t swivel the flash head (such as with a built-in flash), then consider diffusing it with a small sheet of wax paper or a scrap of thin white fabric.
Bouncing, or diffusing the flash will soften and reduce its light output, adding to the exposure without overwhelming the scene. You may have to experiment with different bounce angles, diffusion materials, and exposure levels before finding just the right combination.
Expose for the Candles
The ideal jack-o’-lantern photograph shows the inner glow of the candles, as well as the carved pumpkin face – which means a careful balance of trying not to overexpose the candles, or underexpose the outside of the pumpkin so much that you lose all detail.
Start with the candles: Put multiple candles in the pumpkin cavity to add as much ‘glow’ as possible. Use the spot, or partial spot, exposure metering option in your camera (indicated by a single dot, or circle, in the center of the Exposure Meter Icon), aimed directly on the glowing candles – this will help prevent them from overexposing. You can lock in this exposure reading by pressing the AE Lock button (the asterisk icon on back of your camera) or switch to Manual exposure (M) mode, dial-in the speed and aperture that indicate proper exposure from the Spot reading and leave exposure set there.
Start with the candles: Put multiple candles in the pumpkin cavity to add as much ‘glow’ as possible. Use the spot, or partial spot, exposure metering option in your camera (indicated by a single dot, or circle, in the center of the Exposure Meter Icon), aimed directly on the glowing candles – this will help prevent them from overexposing. You can lock in this exposure reading by pressing the AE Lock button (the asterisk icon on back of your camera) or switch to Manual exposure (M) mode, dial-in the speed and aperture that indicate proper exposure from the Spot reading and leave exposure set there.
For the rest of the scene, try lighting the outside of the pumpkin with a warm, soft light source that will match the feel of the candles. A low-wattage lamp with a shade; a heavily diffused flash (try putting a piece of red, orange, or yellow colored gel/cellophane in front of the flash for added warmth); a string of Christmas lights; or even other candles – these are all great ways to add just enough light so you will see detail on the outside of your pumpkin without over-powering the glow of the candles within.
Try Bracketing
If possible, try bracketing your exposure. All EOS cameras allow taking three bracketed exposures (many high-end EOS models, such as the full-frame EOS 6D and EOS 5D Mark III, allow setting up to seven bracketed shots). Most of our digital SLRs allow a 3-shot bracket, with up to two stops of exposure adjustment (the EOS-1D/Ds line allows up to 7 shots with +/- 3 EV). Start by over- and under-exposing 1 full stop, and experiment from there. Between all of the bracketed shots, you’re sure to get one that has just the right balance of highlight and shadow.
Summary
As you see, the tips for great Halloween photographs are pretty simple. Really, it all comes down to two key elements: Variety and specificity.
In other words, there are a lot of different activities and subjects to capture in this holiday that is at once playful, cute, scary, spooky, comforting, and odd. However, because each subject may have a different mood, you will get the best results with a specific goal in mind as to the look/feel of each new image.
Challenge yourself to set a mood – whether through lighting, use of colors,or framing and composition. Halloween is a great holiday for experimenting, so shoot it all, and look for as many unique points-of-viewas possible!
The CDLC contributors are compensated spokespersons and actual users of the Canon products that they promote.
All images are copyright Scott Alexander, Damian Donach, Andrew Pfaff, Erika Silverstein, Chuck Westfall
Thursday, October 17, 2013
Creative Clients
Post by Wehlage Pictures.
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Tips for great Halloween photography
Tips for great Halloween photography
by David Peterson
What do ghosts, goblins, and little princesses have in common? They come out after dark. You know, when it’s hard to get good pictures of them.
Halloween presents a lot of problems for photographers, because by the time all the action starts to happen that magic hour we love so much has already come and gone. But if you’re like every other camera-lugging mom, dad or hobbyist in search of a great shot, you don’t want to pass up a great night like Halloween just because the light isn’t right. There are still plenty of things you can do to get some great Halloween shots, and here’s a list to get you started.
Start shooting a few days early
If you have kids, don’t pass up any opportunities to photograph them in their costumes, because next year they’re going to want to be a whole different kind of ghoul. Most regions have harvest festivals, corn mazes, hay rides and pumpkin patch carnivals up to a few weeks in advance of Halloween, and many of these events invite kids to come in costume. The setting in these places is great and are can’t really be easily duplicated at home or even in a decor-crazy neighbor’s yard–hay bales, scarecrows, giant pumpkins and haunted barns are just a few of the seasonal props you’ll find at these kinds of events. And what’s more, Halloween events are generally held during the day or in the late afternoon, when you’ll have the opportunity to get some well-lit shots to compliment those tricky shots you’ll be taking on the big night itself.Don’t neglect the preparations, and go out a little early
Chances are, your children (or friends) will be getting ready for the festivities before darkness sets in, so use this time to get some shots of them trying on their hats, checking out their reflections in the mirror, or just hamming around with friends and siblings. This may be your best opportunity to get Halloween photos in good light, so don’t pass it up. Have your costumed subjects act the part for the camera–ask your little Harry Potter to cast a spell with his battery-powered wand, and see if you can get your werewolf to growl and lunge at you. And while you’re shooting a few posed shots, don’t forget to zoom in. Made-up faces look particularly cool at close range, and if you fill your frame you won’t neglect little details like the whiskers on a lion’s face or the sharp teeth of a vampire. You can also focus on other details, like sparkly shoes or witchy fingers. Now zoom out and get a shot of the entire costume, from head to toe.
Your kids probably aren’t going to complain if you start trick-or-treating a little earlier, when the light is still good. Try timing it so you’re starting the rounds about a half hour before sunset. The light will be warm and autumny, and the shadows will be longer and softer. At this time of day you can still get a few great shots at higher shutter speeds, before you run out of natural light and have to start using some tricks.
Find creative ways to light your image
(and avoid direct flash like a zombie apocalypse)Photos taken with direct flash are generally undesirable, and this is especially true for Halloween shots. Remember that you want your photos to look creepy and mysterious, and a harsh, bright flash with its washed out results definitely the opposite of creepy and mysterious. But you may be able to get away with using a colored diffuser–red, orange or purple may actually add to that Halloween mood. When going completely sans-flash, turn up your ISO and open up your aperture, and think about where you might find other sources of light. Shining a flashlight on a face from below (ala spooky campfire stories) can make creepy shadows and give you some interesting shots. Depending on how close to full dark it is, a collection of glow sticks may also give you enough light to work with, and fast-moving glow sticks combined with a slower shutter speed can produce some fun results, too. Don’t neglect that little bit of fading sky, either, if you position your subject so the sky is directly behind her, you can get some great silhouette images. Shooting from slightly below will get more of that gray sky in the shot, and will also make your little zombie look like she’s towering over you.
Use your tripod
You can get some great wide shots of the neighborhood or an evening Halloween party if you use a tripod. Try setting up in a heavily decorated area, and then use a slow shutter speed to capture the lights. Trick-or-treaters or party-goers will show up as ghostly blurs, which will add to the Halloween flavor of the image.A tripod can also help you take more controlled “ghostly” portraits. Set up your camera up with a long shutter speed (say 8 seconds). Have your subject stand or sit as still as possible for five seconds, and then move slowly out of the frame. This will make him or her look transparent, and will also create a ghostly looking motion blur in the final image.
You’ll also need your tripod for those compulsory jack-o-lantern images–a long exposure will give you an image of a glowing pumpkin rather than just blackness with glowing eye, nose and mouth holes. Here’s another tip for capturing your jack-o-lanterns–put three candles inside instead of just one. The extra light will make it a lot easier for you to capture the whole pumpkin. Of course if you happen to be home at the right time, a jack-o-lantern will also look great if photographed about 20 minutes after sunset, when the light from the sky is about as bright as the glow from the pumpkin.
Don’t seek perfection
Your subject doesn’t have to look perfect in her Halloween costume. Masks that don’t fit just right, hats that droop over faces and outfits that are a size too big are all part of the charm of Halloween. Try emphasizing or focusing on the imperfections rather than trying to fix them. The same goes for attitude. Let’s say you just put your 2-year-old in a bat costume, and he hates it. Don’t wait around for him to stop crying. Take some photos of the moment, because a bat in tears may be just as (or more) endearing than one who’s smiling. But then take the costume off that poor kid and see if you can get him to pose with the pumpkins instead.And speaking of imperfection, don’t forget about that chocolate-smeared aftermath. When you get home you can get a fun picture of your child sorting through (or hoarding) his loot, or wearing it all over his face.
Most importantly, of course, don’t be afraid to go overboard with your pictures. In tricky lighting situations, you will probably get many more bad shots than good ones, but the good ones that you do get are likely to be gems. So click, click, click. Halloween only happens once a year and trick-or-treating isn’t something you can go back and do over, unless you really want to annoy your neighbors.
Wednesday, October 9, 2013
Wedding Package Starting at $1000
Prepare for the big day.
I offer a wedding package starting at $1000
Package Includes:
Free pre-event photo consultation (Paperwork & Deposit)
Wedding Party Pictures, Ceremony and Reception (up to 8hrs of photo coverage)
350 - 400 high-res images in an online photo gallery for viewing / ordering / download.
Additional charge may apply for travel outside Rochester MN area.
Not in your budget, please contact me for possible adjustments.
Visit my website at www.wehlage.com see "Photo gallery" link for examples of my work.
Contact information: 507.358.9499 or info@wehlage.com
Thursday, October 3, 2013
Wednesday, October 2, 2013
Another Rochester ... Rochester Kent
A photo I took some years ago while I was living in London.
This is from the annual Dickens Festival held in Rochester Kent.
The article below, by David Ross explains the event in more detail.
Rochester Dickens Festival 2012
Posted: 2012-05-18 by David Ross
2012 is the 200th anniversary of the birth of Charles Dickens, one of the most popular and influential of English novelists. Dickens lived and wrote in Rochester, Kent for two decades, and the Rochester Dickens Festival celebrates the association of the writer with the Medway region.
The Bicentenary Dickens Festival runs from Friday, 8 - Sunday, 10 June 2012, and is full of Victorian themed events. Over the extended weekend are costumed parades, public readings, a Victorian fair, craft fair, and street performances.
Full information on the Dickens Festival can be found online at www.medway.gov.uk/ or by telephoning the Medway Information Centre on 01634 338141. Email: visitor.centre@medway.gov.uk, or write to: Medway Visitor Information Centre, 95 High Street, Rochester, Kent ME1 1LX.
Day by Day Event Overview
Friday - specially focussed on events for children, with an evening circus show.
Saturday - A Grand Pageant Day, focussed on Dickens' most popular novels and celebrated characters.
Sunday - The highlight is a Grand Parade.
Friday - specially focussed on events for children, with an evening circus show.
Saturday - A Grand Pageant Day, focussed on Dickens' most popular novels and celebrated characters.
Sunday - The highlight is a Grand Parade.
I was about to post this article when I thought to myself, 'Hang on, this is Dickens's bicentennary, there must be more events planned.'. Wow, I was certainly right. There is a special Dickens website at www.dickens2012.org with a huge list of events planned to celebrate 200 years since the author's birth.
A full list of events has been published by the Dickens Museum in London and can be found atwww.dickens2012.org/. Among the notable Dickens events planned are The Dickens Pickwick Club gathering in London to mark the 175th anniversary of the publication of the Pickwick Papers and a Dickens and London exhibition at the Museum of London. There are special tours of London locations associated with Dickens every Sunday throughout the year (seewww.dickens2012.org/event/tour-dickens-london-locations-sandra-shevey). You can also explore places in south-east England associated with the novelist from southeasttourguides.co.uk/.
If you can't make it to any Dickens events this year, do take the time to red (or re-read) a classic novel or two. Dickens was a marvellous author. In my family we had a tradition of reading A Christmas Carol aloud on Christmas Eve - it beats sitting on the sofa watching old films on the television! If you are in the London area, take the time to visit the Dickens Museum on Doughty Street (www.dickensmuseum.com/). Its a wonderful look back at the life on one of Britain's great writers.
If you can't make it to any Dickens events this year, do take the time to red (or re-read) a classic novel or two. Dickens was a marvellous author. In my family we had a tradition of reading A Christmas Carol aloud on Christmas Eve - it beats sitting on the sofa watching old films on the television! If you are in the London area, take the time to visit the Dickens Museum on Doughty Street (www.dickensmuseum.com/). Its a wonderful look back at the life on one of Britain's great writers.
David Ross is the editor of BritainExpress.com. By training a historian and photographer, he enjoys nothing more than exploring odd corners of Britain.
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